Canova’s “Perseus with Head of Medusa” Essay

This piece, made to imitate the Greek traditional style, stands tall above access to the Metropolitan Museum of Art. This model, made by Antonio Canova in marble, was done in the mid nineteenth century. Generally, the story of Perseus and how he slaughtered the mammoth lady, Medusa, is from ages previously, notwithstanding, the craftsman decided to reproduce this scene from Greek folklore. What's more, Canova utilizes numerous strategies that were utilized by Greek artists, he utilization of definite life structures, a mix of emotionlessness and depictions of anguish, solid stance, contrapposto and the hanging of the texture around Perseus’ arms. Perseus stands unbendingly, taking a gander at the head of Medusa. His appearance is unaltered. One leg twists toward her head, however it does as such in an inflexible, awkward way. He holds his blade out to his right side, and her head to his left side. Texture is hung unnaturally off his left arm and it tumbles to the floor behind him. He has the perfect body, with impeccably chiseled and conditioned muscles. Perseus is exposed, spare a couple of exceptionally beautiful and elaborate shoes. His body is in a bend, with his spine. He has all the earmarks of being a warrior, and he is triumphant in his annihilation of Medusa. A sentiment of pride overpowers one when they take a gander at him, be that as it may, it is difficult to identify with him, since he doesn't feel genuine. He is acculturated, however doesn't seem common or ordinary. Medusa, or rather her head, is held by its hair in Perseus’ left hand. He holds it out from him, in disturb. Her face is squirming miserably, as she has been beheaded. Her snake-hair is authentic, and doesn’t look like genuine snakes. All things considered, in any case, her face doesn't represent the genuine anguish or agony that she more likely than not felt. It isn't naturalistic. She really seems, by all accounts, to be fairly admired. This piece brings out sentiments of solidarity, force and pride, be that as it may, I don't feel it summons feeling or compassion towards either character. Neither feels very â€Å"real† or common, and in this way it is hard to identify with the model.